Essays & Fragments
Click on any title to read
The first of a series. Contained here are nine sporadic contemplations on reading, writing, language and control.



A brief work on what I find to be the theoretical argument of the 2001 French film by Michael Haneke.


An exploratory affair between The Gift of Death, Repetition, and Caribbean Discourse to find the poetic mode of expression of the atemporal nonexistent.



Reflections on the difficulties of late-stage intellectual production in relation to postcolonial anxieties of difference.


More to come!